"Settings of Shakespeare from the 17th and 20th centuries by Matthew Locke, James Primosch, and others"--label. The 2nd group includes works principally by Matthew Locke, Pelham Humfrey, and John Banister. Folger Consort ; with Ellen Hargis, soprano and William Sharp, baritone. Recorded in the Hirschhorn Museum, Smithsonian Institution, Washington D.C. Compact disc. Biographical and program notes by Robert Eisenstein, with vocal texts ([10] pages : illustrations) inserted in container.
Contents:
Songs and dances from the tempest (A tempestuous noise (1:22) ; Come unto these yellow sands (1:18) ; Solemn music of Ariel (1:55) ; The master, the swabber, the boatswain, and I (2:13) ; Full fathom five (2:09) ; Flout 'em and scout 'em/Be not afear'd (2:32) ; A solemn and strange music (0:52) ; Honor, riches, marriage blessing (0:31) ; Earth's increase, foison plenty (1:20) ; A graceful dance, a confused noise (1:40) ; No more dams (1:03) ; Where the bee sucks (1:20) ; Our revels now are ended (4:07)) / James Primosch -- Incidental music by Matthew Locke and Robert Smith, and songs from Thomas Shadwell's 1674 version of The tempest (The first musick: introduction-galliard (2:50) ; Gavotte (0:59) ; The second musick: Saraband(1:50) ; Lilk (0:51) ; Curtain tune (4:22) ; Come unto these yellow sands (0:35) ; Rustick air (2:33) ; Dance of the winds (1:03) ; Full fathom five (2:23) ; Dry those eyes (1:01) ; Minoit (1:13) ; Fantastick spirits (2:49) ; Eccho duet: Go thy way (1:54) ; Corant (1:14) ; Adieu to the pleasures (4:08) ; A martial jigge (1:14) ; My Lord great Neptune (2:22) ; Trytons' dance (0:35) ; See, see, the heavens smile (0:48) ; Where the bee sucks (1:26) ; The conclusion: A canon 4 in 2 (2:28))
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