PART III. GENDERED SUBJECTIVITY IN MILTON'S LITERARY HISTORY -- Woolf's allusion to Comus in The voyage out / Lisa Low. PART I. MASCULINITY, DIVORCE, AND MISOGYNY IN MILTON'S PROSE -- The gender of civic virtue / Gina Hausknecht -- The aesthetics of divorce: "masculinism," idolatry, and poetic authority in Tetrachordon and Paradise Lost / James Grantham Turner -- Dalila, misogyny, and Milton's Christian liberty of divorce / Catherine Gimelli Martin -- PART II. THE GENDERED SUBJECTS OF MILTON'S MAJOR POEMS -- The profession of virginity in A maske presented at Ludlow Castle / William Shullenberger -- The genders of God and the redemption of the flesh in Paradise lost / Marshall Grossman -- Transported touch: the fruit of marriage in Paradise lost / John Rogers -- The experience of defeat: Milton and some female contemporaries / Elizabeth M. Sauer -- Samson and surrogacy / Amy Boesky -- "I was his nursling once": nation, lactation, and the Hebraic in Samson Agonistes / Rachel Trubowitz -- "The Jewish Question" and "The woman question" in Samson Agonistes: gender, religion, and nation / Achsah Guibbory -- PART III. GENDERED SUBJECTIVITY IN MILTON'S LITERARY HISTORY -- George Elliot as a "Miltonist": marriage and Milton in Middlemarch / Dayton Haskin -- Saying it with flowers: Jane Giraud's ecofeminist Paradise Lost (1846) / Wendy Furman-Adams, Virginia James Tufte -- Woolf's allusion to Comus in The voyage out / Lisa Low.
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