Introduction : situating intercultural film -- "This is Africa," or how Leonardo DiCaprio imagines Sierra Leone -- Witness the gangster in the interregnum : adapting Fugard's Tsotsi -- Reclaiming the Maoriland romance : inventing tradition in Once were warriors and Whale rider -- The new voy(age)eur : white women, black bodies, and the spectacle of sexual abandon -- NRI : the transnational class and transnational class in the films of Mira Nair -- Conclusion.
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