pt. 3: "Something's missing": exploding girlhood in The Tracy fragments / Beyond the national-realist text: imagining the impossible nation in contemporary Canadian cinema / Tanis MacDonald Griersonian "actuality" and social protest in Dorothy Livesay's documentary poems / Tania Aguila-Way ; "Stunning and strange": Iceland as memory and prophecy in Alice Munro's "White dump" and Sarah Polley's "Away from her'" / Nadine Fladd ; Maddin, melodrama, and the pre-national / Jennifer Henderson and Brian Johnson ; Dialogic phantasy in Bruce McDonald's adaptive narratives / Gregory Betts -- pt. 2: Adaptation, for better or worse. Reading Canadian film credits: adapting institutions, systems, and affects / Peter Dickinson ; Sisters in the wilderness: mythologizing Catharine Parr Traill / Ruth Bradley-St-Cyr ; "'Triumph" in the backwoods: the CBC's take on Moodie and Traill in Sisters in the wilderness (2000) / Christa Zeller Thomas ; The director's medium: Richard Attenborough's de-authorization of Grey Owl / Albert Braz ; Narrative structure and narrative voices in The English patient: film and novel: a comparative study / Christine Evain ; Loser wins: the rhetoric of high modernism in The apprenticeship of Duddy Kravitz / Bradley D. Clissold ; Why they cannot get it right: a reader's notes about Richler on screen / Natalia Vesselova ; "'[I]t's my nature": a comparison of Hagar Shipley's Pride in the stone angel novel and film / Carmela Coccimiglio -- pt. 3: Identity: "To be, or not to be." Why sex matters in Canadian film and literature / Katherine Monk ; The nature of things: Coupland, cinema and the Canadian sixties and seventies / Andrew Burke ; Adapting men to new times?: Engagements with masculinism in John Howe's Why rock the boat? / Elspeth Tulloch ; Filming music: adapting transnational sound in The English patient and Fugitive pieces / Katherine McLeod ; "Something's missing": exploding girlhood in The Tracy fragments / Tanis MacDonald
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