Includes bibliographical references (pages 199-228) and index.
Contents:
The Origins of the Entombment of Christ -- The Entombment of Christ: echoes of the performative piety of the sculpture at the Chartreuse de Champmol -- The Entombment of Christ: the absent presence of the Resurrected Christ and the Holy Sepulcher -- Hocus pocus: the Entombment of Christ and Medieval performance -- Conclusion: the entombments in the context of late Medieval sculpture.
Series:
Art and Material Culture in Medieval and Renaissance Europe, 2212-4187 ; VOLUME 2
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