Includes bibliographical references (pages 215-224) and index.
Contents:
The return from clandestine anonymity: muralist brigades, revamped and renewed -- Open-sky museums and the decolonization of urban space -- Tagging the Chilean city: graffiti as individualized and collective praxis -- Public interventions and gender disruptions: graffiteras' urban transformations -- Conclusion: Transnational incursions in Chilean street art: globalizing the local and localizing the global.
Summary:
"Documents and critically deconstructs the explosion of public street art that emerged in Chile after the Pinochet dictatorship in 1990. Shows how murals and graffiti pieces are connected to the social, political and cultural movements the country has undergone"-- Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.