"The Ford Maddox Ford Society." Includes bibliographical references.
Contents:
Introduction / Rob Hawkes -- Section 1: Sound, silence, and performance -- 'A taboo on the mention of taboo': taciturnity and Englishness in Parade's End and AndreĢ Maurois' Les Silences de Colonel Bramble / John Attridge -- From conversation to humiliation: Parade's End and the eighteenth century / Sara Haslam -- 'Are you going to mind the noise?': mapping the soundscape of Parade's End / Tom Vandevelde -- Wagner's Ring Cycle and Parade's End / Angus Wrenn -- 'The 'ind legs of the elephink': pantomime, prophecy, and Tosh in Parade's End / John B. Murphy -- Section 2: Psycho-geography of war -- Panorama, the map, and the divided self: No Enemy, No More Parades, and Tolkien's The Lord of the Rings / Michael Charlesworth -- Sight and scale in Parade's End / Elizabeth Hodges -- How much mud does a man need? Land and liquidity in Parade's End / Seamus O'Malley -- Tietjens walking, Ford talking / Paul Skinner -- War and division in Parade's End / Adam Piette -- Section 3: Contrasts: Love, death, and alterity -- Ford and Lewis: the attraction of opposites / Rob Spence -- 'Cleaned, sand-dried bones': Christopher Tietjens and the labour of war / Austin Riede -- Articulations of femininity in Parade's End / Isabelle Brasme -- 'Better far': Ford and Rossettian attitudes / Alec Marsh -- Death in the wasteland: Ford, Wells, and Waugh / Joseph Wiesenfarth.
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