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03951aam a22004938i 4500 001 E1D165887C5611E99A082DFD96128E48 003 SILO 005 20190522010019 008 181119t20192019nyu b 001 0 eng 010 $a 2018042917 020 $a 1479800651 020 $a 9781479800650 035 $a (OCoLC)1057297554 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCQ $d OCLCF $d ERASA $d IOU $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a PS374.F27 $b T475 2019 082 00 $a 813/.8766093552 $2 23 100 1 $a Thomas, Ebony Elizabeth, $d 1977- $e author. 245 14 $a The dark fantastic : $b race and the imagination from Harry Potter to the hunger games / $c Ebony Elizabeth Thomas. 264 1 $a New York : $b New York University Press, $c [2019] 300 $a vii, 225 pages ; $c 25 cm 490 0 $a Postmillennial pop 504 $a Includes bibliographical references and index. 505 0 $a Introduction: the dark fantastic : race and the imagination gap -- Toward a theory of the dark fantastic -- Lamentations of a Mockingjay : the hunger games' rue and racial innocence in the dark fantastic -- A queen out of place : dark fantastic dreaming and the spacetime politics of gwen in BBC's Merlin -- The curious case of bonnie Bennett : the vampire diaries and the monstrous contradiction of the dark fantastic -- Hermione is black : a postscript on Harry Potter and the crisis of infinite dark fantastic worlds -- Acknowledgments -- Notes -- Bibliography -- Index -- About the author. 520 8 $a Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children's publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. 0'The Dark Fantastic' is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW's 'The Vampire Diaries', Rue from Suzanne Collins's 'The Hunger Games', Gwen from the BBC's 'Merlin', and Angelina Johnson from J.K. Rowling's 'Harry Potter'. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. 0In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, "we dark girls deserve more, because we are more." 650 0 $a Fantasy fiction, American $x Theory, etc. $x Theory, etc. 650 0 $a Fantasy fiction, English $x Theory, etc. $x Theory, etc. 650 0 $a African Americans $x Intellectual life. 650 0 $a Literature and race. 650 0 $a Storytelling in mass media. 941 $a 10 952 $l PQAX094 $d 20231214014912.0 952 $l PLAX964 $d 20230718100014.0 952 $l USUX851 $d 20230706014401.0 952 $l IAOX771 $d 20221029022017.0 952 $l FXPH314 $d 20220909054412.0 952 $l BAPH771 $d 20201114010718.0 952 $l UQAX771 $d 20200319010228.0 952 $l TYPH572 $d 20200110081535.0 952 $l OVUX522 $d 20191217030826.0 952 $l CAPH522 $d 20190726010405.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=E1D165887C5611E99A082DFD96128E48 994 $a C0 $b IOUInitiate Another SILO Locator Search