Includes bibliographical references (p. [167]-170) and index.
Contents:
Introduction: intimate film in revolt -- Black and Blue: Kieslowski's melancholia -- "The void of another enjoyment": Breaking the waves -- The use of perversion: Secretary or The piano teacher? -- Unveiling fetishism in the society of the spectacle: White, female perversions, Mulholland Drive -- Psycho: the ultimate seduction: Intimate Volver -- The virtue of blushing: turning anxiety into shame in Haneke's CacheĢ.
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