Includes bibliographical references (p. 179-187) and index.
Contents:
Sound, assumption and symbolism -- 'Folk' music and 'traditional' music -- Dance music and song -- Loyalty, identity and religion in Northern Ireland -- The myth of 'the west' -- The 'sound' of music -- GAA, culture and the Victorian model -- Fetishising the crossroads -- Religion, nationality, difference and inequality -- The radical impetus of 'folk' -- Traditional music in a modern world -- Performance style and political identification -- Dreams and realities - folk memory and Gaelic identity -- The way it was? -- The bridge of glass - Scotland and Ireland -- 'Crossing over' of tunes and songs -- A music- and song-transmission cornucopia -- Migration, movements and music -- The fluidity of change -- New nations, new times, new cultures -- The creation of modern style -- Tonal boundary-marking: prejudice, politics and ethnicity -- Withering and blooming in the seventies -- Jigging at the crossroads, 2008.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.