Color and fluids: the (in)visibility of The portrait of a lady / Elizabeth Watkins. Continuities. The persistence of (political) feelings and hand-touch sensibilities: Miranda July's feminist multimedia-making / Alison Hoffman -- The archivist tango: Sally Potter collects herself / Sophie Mayer -- Interactions. Toward a feminist Coney Island of the avant-garde: Janie Geiser recasts the cinema of attractions / Melinda Barlow -- Slipping the borders/shifting the fragments: a working paper / Michelle Citron -- Networks. "Each film was built as a chamber and became a corridor": Maya Deren's film aesthetics as feminist praxis / Theresa L. Geller -- Material effects: fashions in feminist programming / Kay Armatage -- Dialogues. Shooting for change: an interview with Kim Longinotto / Sophie Mayer -- The gleaners and "us": the radical modesty of Agnès Varda's Les glaneurs et la glaneuse / Virginia Bonner -- Tableaux. Final girls: appropriation, identification, and fluidity in Cindy Sherman's Office killer / Michelle Meagher -- At the limits of visual representation: Tracey Moffatt's still and moving images / Corinn Columpar -- Becomings. "This girl behaves against it": an interview with Samira Makhmalbaf / SF Said -- Becoming-Grrrl: the voice and videos of Sadie Benning / Chloé Hope Johnson -- Surfacings. Translating Orientalism: Leslie Thornton's Adynata / Homay King -- Color and fluids: the (in)visibility of The portrait of a lady / Elizabeth Watkins.
Series:
Contemporary approaches to film and television series
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