Ford, Matisse and the Book of the Dead : the (in)visible objects of The Rash Act and Henry for Hugh / Laura Colombino. Introduction / Laura Colombino -- From Pre-Raphaelsim to modernity. From paint to print : grandfather's legacy / Angela Thirlwell -- Ford Madox Ford's art criticism as a reservoir for his narrative poetics / Vita Fortunati -- From Pre-Raphaelsim to Impressionism / Max Saunders -- Image-music-text : Ford and the Impressionist lyric / Ashley Chantler -- To cook or to paint, in Paris? : Ford in colour / Sara Haslam -- Visuality vs. temporality : plotting and depiction in The Fifth Queen and Ladies Whose Bright Eyes / Rob Hawkes -- The Portrait : Ford's Chef-D́Œuvre Inconnu / Gene M. Moore -- Ford Madox Ford's literary portraits / Anna Viola Sborgi -- Fording Holbein / Martin Stannard -- Skull/brain drain stain (The Ambassadors) / Guy Mannes-Abbott -- Post-war engagements. 'If we shadows have offended' : the metaphor of shadow in The Marsden Case / Jenny Plastow -- A map of Tory misreading in Parade's End / Mark Conroy -- Modernity, shock and cinema : the visual aesthetics of Ford Madox Ford's Parade's End / Alexandrea Becquet -- Ford, Bowen, and Italian art / Joseph Wiesenfarth -- Ford + Biala : a long and passionate dialogue / Jason Andrew -- Ford, Matisse and the Book of the Dead : the (in)visible objects of The Rash Act and Henry for Hugh / Laura Colombino.
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