Acknowledgments -- Introduction. Cyborgs, hybridity, and identity -- 1. Berlin Dada : origins, practices, and institutions -- 2. Hannah Höch's cut with the kitchen knife : photomontage, signification, and the mass media -- 3. Raoul Hausmann's revolutionary media : Dada performance, photomontage, and the cyborg -- 4. The militarized cyborg : soldier portraits, war cripples, and the deconstruction of the authoritarian subject -- 5. The new woman as cyborg : gender, race, and sexuality in the photomontages of Hannah Höch -- Conclusion. Dada cyborgs in the twenty-first century -- Notes -- Index.
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