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03419aam a2200409 i 4500 001 838637EE8FC011ECBA4AA6A62FECA4DB 003 SILO 005 20220217010136 008 210402t20222022nyua b 001 0 eng 010 $a 2021013210 020 $a 1032060433 020 $a 9781032060439 020 $a 0367363062 020 $a 9780367363062 035 $a (OCoLC)1245960942 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d OCLCO $d YDX $d SILO 042 $a pcc 050 00 $a N6754 $b .H93 2022 082 00 $a 709.4 $2 23 245 00 $a Hybridity in early modern art / $c edited by Ashley Elston and Madeline Rislow. 264 1 $a New York : $b Routledge, Taylor & Francis Group, $c 2022. 300 $a x, 178 pages : $b illustrations (some color) ; $c 27 cm. 490 1 $a Visual culture in early modernity 504 $a Includes bibliographical references and index. 505 0 $a Connecting Human and Divine: Carlo Crivelli's Hybrid Media / Amanda Hilliam -- Collaboration and Dissonance in Siena's Bichi Altarpiece / Ashley Elston -- Emblems and Hybridity in a Southern German Epitaph Sculpture / Catharine Ingersoll -- Hybridity, Media, and Source Material in Visual Representations of the Wild Woman: Transitions from Hand-Copied Manuscripts to Hand-Press Prints / Michelle Moseley-Christian -- Material Legacy: Hybridity and French Manuscript Illumination from the Late Fifteenth through Sixteenth Centuries / Larisa Grollemond -- Visual Hybridity in the Sancta Sanctorum (Rome): Reframing the Middle Ages / Kirstin Noreen -- (Re-)Encasing the Ashes of St. John the Baptist in Genoa Across Time / Madeline Rislow -- Recycling, Renaissance Style: Hybridity and Giorgio Vasari's Pieve Altarpieces / Sally J. Cornelison -- Style and Meaning Beyond Europe: Bernardo Bitti and Mannerism / Christa Irwin. 520 $a "This collection of essays explores hybridity in early modern art through two primary lenses: hybrid media and hybrid time. The varied approaches in the volume to theories of hybridity reflect the increased presence in art historical scholarship of interdisciplinary frameworks that extend art historical inquiry beyond the single time or material. The essays engage with what happens when an object is considered beyond the point of origin or as a legend of information, the implications of the juxtaposition of disparate media, how the meaning of an object alters over time, and what the conspicuous use of out-of-date styles means for the patron, artist, and/or viewer. Essays examine both canonical and lesser-known works produced by European artists in Italy, northern Europe, and colonial Peru, ca. 1400-1600. The book will be of interest to art historians, visual culture historians, and early modern historians"-- $c Provided by publisher. 650 0 $a Art, European $x Themes, motives. 650 0 $a Cultural fusion and the arts. 650 7 $a Art, European $x Themes, motives. $2 fast $0 (OCoLC)fst00816264 650 7 $a Cultural fusion and the arts. $2 fast $0 (OCoLC)fst01715749 700 1 $a Elston, Ashley $q (Ashley Jane), $e editor. 700 1 $a Rislow, Madeline, $e editor. 776 08 $i Online version: $t Hybridity in early modern art $d New York : Routledge, 2022 $z 9780429345203 $w (DLC) 2021013211 830 0 $a Visual culture in early modernity. 941 $a 1 952 $l OVUX522 $d 20231117030105.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=838637EE8FC011ECBA4AA6A62FECA4DBInitiate Another SILO Locator Search