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03110cam a2200469 a 4500 001 B2C6543C2B0E11DE8F715E08A8D7520A 003 SILO 005 20090730151220 008 061018s2007 caua b s001 0 eng 010 $a 2006034879 020 $a 0520250222 (pbk. : alk. paper) 020 $a 9780520250222 (pbk. : alk. paper) 020 $a 0520240103 (cloth : alk. paper) 020 $a 9780520240100 (cloth : alk. paper) 040 $a DLC $c DLC $d SILO $d UKM $d BTCTA $d C#P $d YDXCP $d IMO $d IOG $d SILO 043 $a e-fr--- 050 00 $a ND547.5.I4 $b C75 2007 082 00 $a 759.05/4 $2 22 245 0 $a Critical readings in Impressionism and post-Impressionism : $b an anthology / $c edited by Mary Tompkins Lewis. 246 14 $a Critical readings in Impressionism & post-Impressionism 246 30 $a Impressionism and post-Impressionism 260 $a Berkeley : $b University of California Press, $c c2007. 300 $a x, 347 p. : $b ill. (some col.) ; $c 25 cm. 500 $a "Ahmanson Murphy fine arts imprint"--Prelim. p. 504 $a Includes bibliographical references (p. 323-330) and index. 505 20 $t Mark, motif, materiality: the CeÌzanne effect in the twentieth century / $r Richard Shiff. $t Impressionism, originality, and laissez-faire / $r Robert L. Herbert -- $t Dealing in temperaments: economic transformation of the artistic field in France during the second half of the nineteenth century / $r Nicholas Green -- Impressionist installations and private exhibitions / $t Martha Ward -- Framing the landscape / $r John House -- $t The environs of Paris / $r T.J. Clark -- $t The intransigent artist or how the Impressionists got their name / $r Stephen F. Eisenman -- $t Duranty on Degas: a theory of modern painting / $r Carol Armstrong -- $t Berthe Morisot and the feminizing of impressionism / $r Tamar Garb -- $t Camille Pissarro in 1880: an anarchistic artist in bourgeois society / $r Michel Melot -- $t Monet and the challenges to Impressionism in the 1880s / $r Paul Tucker -- $t Seurat's Grande jatte: an anti-utopian allegory / $r Linda Nochlin -- $t At the threshold of symbolism: Van Gogh's Sower and Gauguin's Vision after the sermon / $r Debora Silverman -- $t Mark, motif, materiality: the CeÌzanne effect in the twentieth century / $r Richard Shiff. 650 0 $a Impressionism (Art) $z France. 650 0 $a Post-impressionism (Art) $z France. 650 0 $a Painting, French $y 19th century. 650 0 $a Painting, French $y 20th century. 700 1 $a Lewis, Mary Tompkins. 856 41 $3 Table of contents only $u http://www.loc.gov/catdir/toc/ecip073/2006034879.html 856 42 $3 Publisher description $u http://www.loc.gov/catdir/enhancements/fy0729/2006034879-d.html 856 42 $3 Contributor biographical information $u http://www.loc.gov/catdir/enhancements/fy0735/2006034879-b.html 941 $a 5 952 $l PQAX094 $d 20231214043321.0 952 $l OVUX522 $d 20180118034921.0 952 $l USUX851 $d 20161103031159.0 952 $l SOAX911 $d 20110514010544.0 952 $l OIAX792 $d 20090708133753.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=B2C6543C2B0E11DE8F715E08A8D7520A 994 $a 02 $b IOGInitiate Another SILO Locator Search