The Locator -- [(title = "Louise Lawler")]

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02936aam a2200373 i 4500
001 CD7BBF04F83411E784964A6B97128E48
003 SILO
005 20180113013733
008 170220t20172017nyua     bc   001 0 eng d
010    $a 2016959020
020    $a 1633450236
020    $a 9781633450233
035    $a (OCoLC)973401893
040    $a ERASA $b eng $e rda $c ERASA $d CDX $d MMX $d CDX $d OCLCO $d NMWMA $d ZQP $d L2U $d OCLCF $d YDX $d NUI $d UtOrBLW $d SILO
050  4 $a TR647 $b .L38 2017
100 1  $a Lawler, Louise, $e artist. $0 http://id.loc.gov/authorities/names/no2014029324
240 10 $a Works. $k Selections
245 10 $a Louise Lawler : $b receptions / $c Roxana Marcoci.
246 30 $a Receptions
246 15 $a Why pictures now
264  1 $a New York, New York : $b Museum of Modern Art, $c [2017]
300    $a 255 pages : $b illustrations (some color) ; $c 32 cm
500    $a Published in conjunction with the exhibition 'Louise Lawler: WHY PICTURES NOW', at The Museum of Modern Art, New York, April 30-July 30, 2017.
504    $a Includes bibliographical references (pages 238-246) and index.
505 00 $t Lawler's Victory / $r Julian Stallabrass. $t An Exhibition Produces / $r Roxana Marcoci -- $t Property and Community in the Recent Work / $r Rhea Anastas -- $t Deceptions: 'yes, but", "re-", "huh?", "post-", "oh yes!" / $r Mieke Bal -- $t WAR IS TERROR / $r Douglas Crimp -- $t Louise Lawler's Play Technique / $r Rosalyn Deutsche -- $t More Jokes about Autonomy and the Private Sphere / dr Diedrich Diederichsen -- $t Object Confusion: Louise Lawler's Printed Matter / $r David Platzker -- $t Lawler's Victory / $r Julian Stallabrass.
520 8  $a "Published in conjunction with the exhibition 'Louise Lawler: WHY PICTURES NOW', at The Museum of Modern Art, this volume charts the creative practice of one of the most influential artists working in the fields of picture-making and institutional critique. For the past 40 years, Louise Lawler has raised questions about art-about the circumstances that produce it, its circulation and the societal frameworks in which it appears. Many of the ideas that arise out of her work relate to theories of reception, the belief that the meaning of an artwork shifts and morphs depending on who looks at it and where it is seen. As the title of this publication suggests, many kinds of reception are possible"--Amazon.
600 10 $a Lawler, Louise $v Exhibitions.
650  0 $a Photography of art $v Exhibitions. $0 http://id.loc.gov/authorities/subjects/sh2010106166
650  0 $a Photography, Artistic $v Exhibitions. $0 http://id.loc.gov/authorities/subjects/sh2008108790
700 1  $a Marcoci, Roxana, $e curator. $e curator. $0 http://id.loc.gov/authorities/names/n94080261
710 2  $a Museum of Modern Art (New York, N.Y.), $e host institution. $0 http://id.loc.gov/authorities/names/n79021281
941    $a 1
952    $l OVUX522 $d 20180116020558.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=CD7BBF04F83411E784964A6B97128E48

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