The Locator -- [(title = "Spike Island")]

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03948aam a2200553 i 4500
001 411EF4080CD411EEAAE9666853ECA4DB
003 SILO
005 20230617010022
008 211203t20212021stka     c    000 0deng d
020    $a 1908612606
020    $a 9781908612601
035    $a (OCoLC)1287084190
040    $a ZYU $b eng $e rda $c ZYU $d ZYU $d YDX $d OCLCF $d ERASA $d OCLCO $d CUY $d DLM $d OKU $d OCLCO $d INU $d TEU $d CIA $d YDXIT $d S2H $d SILO
050  4 $a N6537.P49 $b A4 2021
082 04 $a 700.92 $2 23
082 04 $a 709.2
100 1  $a Pindell, Howardena, $d 1943- $e artist.
245 10 $a Howardena Pindell : $b a new language / $c edited by Fiona Bradley.
264  2 $a London : $b Distributed by Art Data $c ℗♭2021
300    $a 141 pages : $b illustrations (chiefly color) ; $c 25 x 28 cm
505 0  $a On her fingers and toes / Anna Lovatt -- Surface tension / Amy Tobin -- Free, white and 21 / Howardena Pindell -- Facing it : Howardena Pindell and activism that is personal / Adeze Wilford -- Rope/fire/water / Howardena Pindell -- Art world racism / Howardena Pindell.
500    $a This book published on the occasion of the exhibition "Howardena Pindell: A new language," Fruitmarket, Edinburgh, November 13, 2021-May 2, 2022; Kettle's Yard, Cambridge, July 2, 2022-October 30, 2022; Spike Island, Bristol, February 4, 2023-May 7, 2023.
520    $a "Artist, activist, writer, and teacher Howardena Pindell has been a force in contemporary art since the late 1960s. This book is a celebration and critical examination of her painting and writing and marks her first solo exhibition in the UK. It takes its title--and its cue--from her: 'I am an artist. I am not part of a so-called "minority", "new" or "emerging" or "a new audience". These are all terms used to demean, limit, and make people of color appear to be powerless. We must evolve a new language which empowers us and does not cause us to participate in our own disenfranchisement.' With illustrations of a selection of paintings from the 1970s to now; new writing from Anna Lovatt of the Southern Methodist University in Dallas, Amy Tobin of the University of Cambridge, and Adeze Wilford from The Shed in New York; and a selection of Pindell's own writing, this book presents Pindell's inspiring and unflinchingly active imagination, and explores her articulation of a 'new language' as exemplary in articulating empowerment"-- $c Page [4] of cover.
600 10 $a Pindell, Howardena, $d 1943- $v Exhibitions.
600 10 $a Pindell, Howardena, $d 1943- $x Criticism and interpretation.
600 17 $a Pindell, Howardena, $d 1943- $2 fast $0 (OCoLC)fst00185973
650  0 $a African American women artists $v Exhibitions.
650  0 $a Painting, American $y 20th century $v Exhibitions.
650  0 $a Drawing, American $y 20th century $v Exhibitions.
650  0 $a African American art $v Exhibitions.
650  6 $a Femmes artistes noires americaines $v Expositions.
650  6 $a Peinture americaine $y 20e siecle $v Expositions.
650  6 $a Dessin americain $y 20e siecle $v Expositions.
650  6 $a Art noir americain $v Expositions.
650  7 $a African American art. $2 fast $0 (OCoLC)fst00799012
650  7 $a African American women artists. $2 fast $0 (OCoLC)fst00799474
650  7 $a Drawing, American. $2 fast $0 (OCoLC)fst00897776
650  7 $a Painting, American. $2 fast $0 (OCoLC)fst01050648
648  7 $a 1900-1999 $2 fast
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
655  7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028
655  7 $a Exhibition catalogs. $2 lcgft
700 1  $a Bradley, Fiona, $e editor.
710 2  $a Fruitmarket Gallery, $e host institution. $e host institution.
710 2  $a Kettle's Yard Gallery, $e host institution. $e host institution.
710 2  $a Spike Island (Firm), $e host institution. $e host institution.
941    $a 1
952    $l OVUX522 $d 20231117025813.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=411EF4080CD411EEAAE9666853ECA4DB

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