The Locator -- [(subject = "art photography")]

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Record 13 | Previous Record | MARC Display | Next Record | Search Results
Author:
Bravo, Monica, 1982- author.
Title:
Greater American camera : making modernism in Mexico / Monica Bravo.
Publisher:
Yale University Press,
Copyright Date:
2021
Description:
xv, 239 pages : illustrations, portraits ; 26 cm
Subject:
Weston, Edward,--1886-1958--Criticism and interpretation.
Modotti, Tina,--1896-1942--Criticism and interpretation.
Strand, Paul,--1890-1976--Criticism and interpretation.
Levitt, Helen--Criticism and interpretation.
Weston, Edward,--1886-1958--Critique et interpretation.
Modotti, Tina,--1896-1942--Critique et interpretation.
Strand, Paul,--1890-1976--Critique et interpretation.
Levitt, Helen--Critique et interpretation.
Weston, Edward,--1886-1958.
Strand, Paul,--1890-1976.
Modotti, Tina,--1896-1942.
Levitt, Helen.
Photography, Artistic--20th century.
Photography--Mexico--History--20th century.
Modernism (Art)--Mexico.
Photographers--United States--Mexican influences.
Photography, Artistic.
Photographie artistique.
Photographie--Mexique--Histoire--20e siecle.
Photographes--Etats-Unis--Influences mexicains.
Photographie artistique--20e siecle.
Modernisme (Art)--Mexique.
Photographes--Etats-Unis--Influence mexicaine.
art photography.
Photography, Artistic.
Modernism (Art)
Photography.
United States.
Mexico.
1900-1999
Criticism, interpretation, etc.
History.
Notes:
Includes bibliographical references and index.
Contents:
"Souvenir du Mexique" : Helen Levitt and the surrealism of the streets. Photopoetry : Tina Modotti's art of propaganda -- Native land and a usable past : Paul Strand in concert -- "Souvenir du Mexique" : Helen Levitt and the surrealism of the streets.
Summary:
Photographers Edward Weston, Tina Modotti, Paul Strand, and Helen Levitt were among the U.S. artists who traveled to Mexico during the interwar period seeking a community more receptive to the radical premises of modern art. Looking closely at the work produced by these four artists in Mexico, this book examines the vital role of exchanges between the expatriates and their Mexican contemporaries in forging a new photographic style. Exploring how these dialogues resulted in a distinct kind of modernism characterized by inter-American interests, it reveals the ways in which cross-border collaboration shaped a new "greater American" aesthetic.
ISBN:
9780300253634
030025363X
OCLC:
(OCoLC)1198557401
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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