The Locator -- [(subject = "Television programs")]

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03841aam a2200589 i 4500
001 73D0B9649E3C11EE84E191EF36ECA4DB
003 SILO
005 20231219010058
008 230602s2024    njua     b    001 0 eng  
010    $a 2023009473
020    $a 1978834845
020    $a 9781978834842
020    $a 1978834837
020    $a 9781978834835
035    $a (OCoLC)1372547779
040    $a DLC $b eng $e rda $c DLC $d OCLCF $d OCLCO $d UKMGB $d YDX $d VTU $d NUI $d SILO
042    $a pcc
043    $a n-us---
050 00 $a PN1992.8.A34 $b S43 2024
082 00 $a 791.4508996073 $2 23/eng/20230605
100 1  $a Sebro, Adrien, $e author.
245 10 $a Scratchin' and survivin' : $b hustle economics and the Black sitcoms of Tandem Productions / $c Adrien Sebro.
246 3  $a Scratching and surviving
264  1 $a New Brunswick, New Jersey : $b Rutgers University Press, $c [2024]
300    $a vii, 205 pages : $b illustrations ; $c 24 cm
520    $a "Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions is a production history and study of Black labor in the Black sitcoms of Tandem Productions; Sanford and Son (1972-1977), Good Times (1974-1979), and The Jeffersons (1975-1985). These sitcoms challenged subjective producer's control of 1970s television. Focusing on these Black sitcoms, Scratchin' and Survivin' engages the intersections of performance, production, politics, and reception to consider how this array of Black sitcoms intervened in both the history of television and in a rearticulation of Black identity in the early 1970s. With close attention to race, socioeconomics, gender, and politics, the sitcoms of Tandem had their own distinct style in depicting Black American life on screen. What is rarely discussed in the history Tandem is the Black artist's (actors, writers, assistants, etc.) and the "hustle economics" they engaged in while becoming television auteurs within a space that wasn't built for them. "Hustle economics" exists as a negotiation of Black labor in front of and behind the screen. Indeed, the production of these sitcoms called for various forms of creative agency and labor resilience that transformed the television industry, and Scratchin' and Survivin' brings attention to the Black artists who were a part of these transformative acts"-- $c Provided by publisher.
504    $a Includes bibliographical references and index.
610 20 $a Tandem Productions $x History.
630 00 $a Sanford and son (Television program)
630 00 $a Good times (Television program)
630 00 $a Jeffersons (Television program)
630 07 $a Good times (Television program) $2 fast $0 (OCoLC)fst01783162
630 07 $a Jeffersons (Television program) $2 fast $0 (OCoLC)fst01367443
630 07 $a Sanford and son (Television program) $2 fast $0 (OCoLC)fst01378769
648  7 $a 1900-1999 $2 fast
650  0 $a African Americans on television.
650  0 $a Labor on television.
650  0 $a Situation comedies (Television programs) $z United States.
650  0 $a Television programs $z United States $x History $y 20th century.
650  0 $a African American actors $z United States.
650  0 $a African Americans in television broadcasting.
650  0 $a History.
650  7 $a African American actors $2 fast $0 (OCoLC)fst00798998
650  7 $a African Americans in television broadcasting $2 fast $0 (OCoLC)fst00799736
650  7 $a African Americans on television $2 fast $0 (OCoLC)fst00799744
650  7 $a Situation comedies (Television programs) $2 fast $0 (OCoLC)fst01744318
650  7 $a Television programs $2 fast $0 (OCoLC)fst01147026
651  7 $a United States $2 fast $0 (OCoLC)fst01204155
655  7 $a History $2 fast $0 (OCoLC)fst01411628
941    $a 1
952    $l OVUX522 $d 20231219012552.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=73D0B9649E3C11EE84E191EF36ECA4DB

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