Includes bibliographical references (pages 254-259) and index.
Contents:
Part one: The Roaring Twenties. New gods and new rules ; The censors ; The Trial of Mary Dugan ; The Cock-Eyed World -- Part two: 1930. The real pre-Code films ; The 1930 Production Code ; The Divorcee ; Howard Hughes and Hell's Angels -- Part three: 1931. Little Caesar ; The Public Enemy ; Dracula ; Frankenstein ; A Free Soul ; Possessed -- Part four: 1932. Scarface ; Red-Headed Woman ; The M-G-M gloss ; "The new shady dames of the screen" ; Call Her Savage ; The Paramount glow ; Island of Lost Souls ; "Decadent imaginations" ; The Sign of the Cross -- Part five: 1933. She Done Him Wrong ; "Such things are not for America" ; So This is Africa ; The Warner Bros. flash ; Baby Face ; The Story of Temple Drake ; Convention City ; Queen Christina -- Part six: 1934. Tarzan and his mate ; "Purify Hollywood or destroy Hollywood!" ; The Production Code Administration ; Forbidden Hollywood.
Summary:
"Filled with rare images and untold stories from filmmakers, exhibitors, and moviegoers, Forbidden Hollywood is the ultimate guide to a gloriously entertaining and strikingly progressive era, when a lax code of censorship let sin rule the movies. Forbidden Hollywood is a history of "pre-Code" like none other: you will eavesdrop on production conferences, read nervous telegrams from executives to censors, and hear Americans argue about "immoral" movies. You will see decisions on content artfully wrought, so as to fool some of the people long enough to get films into theaters. You will read what theater managers thought of such craftiness, and hear from fans as they applauded creativity or condemned crassness. You will see how these films caused a grass-roots movement to gain control of Hollywood--and why they were "forbidden" for fifty years. The book spotlights the twenty-two films that led to the strict new Code of 1934, including Red-Headed Woman, Call Her Savage, and She Done Him Wrong. You'll see Paul Muni shoot a path to power in the original Scarface; Barbara Stanwyck climb the corporate ladder on her own terms in Baby Face; and misfits seek revenge in Freaks. More than 200 newly restored (and some never-before-published) photographs illustrate pivotal moments in the careers of Clara Bow, Joan Crawford, Norma Shearer, and Greta Garbo; and the pre-Code stardom of Claudette Colbert, Cary Grant, Marlene Dietrich, James Cagney, and Mae West. This is the definitive portrait of an unforgettable era in filmmaking."--Dust jacket.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.