"Un theatre est une machine difficile a mouvoir": Developing a transatlantic cultural institution -- Transatlantic production and transatlantic reception : positioning New Orleans through grand opera -- Audiences and publics : opera in the sociocultural fabric of New Orleans -- Opera's material culture and the creation of global Intimacy -- Reimagining New Orleans in operatic travelogues -- Epilogue: From the transatlantic to the global.
Summary:
"A history of nineteenth-century New Orleans and the people who made it a vital, if unexpected, part of an emerging operatic world. New Orleans and the Creation of Transatlantic Opera, 1819-1859 explores the thriving operatic life of New Orleans in the first half of the nineteenth century, drawing out the transatlantic connections that animated it. By focusing on a variety of individuals, their extended webs of human contacts, and the materials that they moved along with them, this book pieces together what it took to bring opera to New Orleans and the ways in which the city's operatic life shaped contemporary perceptions of global interconnection. The early chapters explore the process of bringing opera to the stage, taking a detailed look at the management of New Orleans's Francophone theater, the Theatre d'Orleans, as well as the performers who came to the city and the reception they received. But opera's significance was not confined to the theater, and later chapters of the book examine how opera permeated everyday life in New Orleans, through popular sheet music, novels, magazines, and visual culture, and dancing in its many ballrooms. New Orleans helped to create transatlantic opera, but opera in turn helped to create the city of New Orleans"--Provided by publisher.
Series:
Opera lab: explorations in history, technology, and performance
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.