Introduction -- Part 1: Close to home 1999-2000. Jersey basements & the Manhattan skyline -- The first fancy tour bus to pull up at the Manville Elks Lodge -- Long Island & the last silent majority show -- "If Pete wasn't playing for us, he was moshing for us" -- All the way down I-95 -- And out to the great wide open -- Part 2: Will you tell all your friends ... 2001-2002. Napster, the music biz & the biggest band to come out of Mesa, Arizona -- New Jersey, 2001 -- "At the time, they were Geoff from Thursday's weird friends" -- The Long Island lyric pool -- "If half the people hate you, the other half are going to defend you to the death" -- "It wasn't like we thought we were going places, because there was nowhere to go in Utah" -- "Better get a little glossier, or you're gonna fall behind the crowd" -- "It didn't matter that 99% of mainstream America didn't know who he was" -- Part 3: The match you strike to incinerate 2003-2004. Private jets & magazine covers -- "I remember playing Hollister. It was a riot at the mall, basically" -- "If you don't sign this band, you're gonna regret it for the rest of your life" -- "Love in the face of the apocalypse" -- New friend request -- Part 4: "The pinnacle of hype," 2005. Taste of chaos, 2005 -- Going down swinging -- The eye of the storm -- "Panic! at the Disco was like pouring gasoline on the fire" -- Never sleep again -- Part 5: It's an arms race, 2006-2008. "Bigger than emo" -- "Emo people are just like us" -- "As much mischief as we could" -- Bridge & tunnel -- The black parade -- In defense of the genre -- "It was a reckoning to have this young woman overtake the scene" -- Takeover -- The band in a bubble -- "They took the exclamation point off their name" -- "When your fans start dressing like you, you gotta find the next thing" -- "Total, complete transformation" -- Part 6: Epilogue. We'll carry on.
Summary:
"Told through interview with more than 150 people, including bands, producers, managers and fans, a music journalist offers an authoritative, impassioned and occasionally absurd account of the turn-of-the-millennium emo subculture that took over the American music scene from 1999 to 2008"-- Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.