Introduction -- Afterword: Haunting or reception? Horace Walpole, Gothic classicism, and the aesthetics of collection -- Ann Radcliffe's classical remembrances -- Queer urges and the act of translation : Matthew Lewis -- Classical idols and the early American Gothic : the skepticism of Charles Brockden Brown -- Embodied Antiquity : Mary Shelley's relationships with the past -- Afterword: Haunting or reception?
Summary:
"Gothic literature imagines the return of ghosts from the past. What about the classical past? Spectres of Antiquity is the first full-length study describing the relationship between Greek and Roman culture and the Gothic novels, poetry, and drama of the eighteenth and early nineteenth century. Rather than simply representing the opposite of classical aesthetics and ideas, the Gothic emerged from an awareness of the lingering power of antiquity, and it irreverently fractures and deconstructs classical images and ideas. The Gothic also reflects a new vision of the ancient world: no longer inspiring modernity through its examples, antiquity has become a ghost, haunting and oppressing contemporary minds rather than guiding them. Through readings of canonical works by authors including Horace Walpole, Ann Radcliffe, Matthew Lewis, and Mary Shelley, Spectres of Antiquity argues that these authors' ghostly plots and ideas preserve the remembered traces of Greece and Rome. It provides evidence for many allusions to ancient texts that have never previously been noted in scholarship, and offers an accessible guide both to the history of the Gothic genre and to the ancient texts to which it responds. In fascinating and compelling detail, Spectres of Antiquity rewrites the history of the Gothic, demonstrating that the genre was haunted by a far deeper sense of history than we had previously assumed"-- Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.