Includes bibliographical references (pages 229-251) and index.
Contents:
Introduction -- Gao Xingjian, postdramatic theatre : The other shore - between Lehmann and Fuchs -- Gao and postdramatic theatre : a comparison with British playwright Martin Crimp -- Dialogue and rebuttal : the death of love in postdramatic transnationalism -- Individualism and freedom in Nocturnal wanderer -- Transnational postdramatic realism in Weekend quartet -- Latest postdramatic attempts at transansnationalism -- Conclusion.
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