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02147aam a22003498i 4500 001 1D9A8356FE5E11E2B6A414D3DAD10320 003 SILO 005 20130806010419 008 121012s2013 nyua bq 001 0 eng 010 $a 2012037261 020 $a 0230392121 (alk. paper) 020 $a 9780230392120 (alk. paper) 035 $a (OCoLC)795759247 040 $a DLC $b eng $e rda $c DLC $d BTCTA $d OCLCO $d YDXCP $d CDX $d IUL $d YUS $d OCLCQ $d SILO 042 $a pcc 050 00 $a PN1995.9.F36 $b P53 2013 082 00 $a 791.43/61509051 $2 23 100 1 $a Pheasant-Kelly, Frances, $d 1960- 245 10 $a Fantasy film post 9/11 / $c Frances Pheasant-Kelly. 250 $a First edition. 263 $a 1303 264 1 $a New York, New York : $b Palgrave Macmillan, $c 2013. 300 $a viii, 211 pages : $b illustrations ; $c 23 cm 504 $a Includes bibliographical references (pages 187-201) and index. 504 $a Includes filmography. 505 0 $a Introduction -- Settings, spectacle, and the other: picturing disgust in Jackson's The lord of the rings trilogy -- Bewitching, abject, uncanny: magical spectacle in the Harry Potter films -- Pirate politics and the spectacle of the Other: Pirates of the Caribbean -- Resurrection, anthropomorphism, and Cold War echoes in Adamson's The chronicles of Narnia: the lion, the witch and the wardrobe -- The aesthetics of trauma: temporality, and multidirectional memory in Pan's labyrinth -- Reframing the Cold War in the twenty-first century: action, nostalgia and nuclear holocaust in Indiana Jones and The kingdom of the crystal skull -- The ecstasy of chaos: mediating 9/11, terrorism and trauma in The dark knight -- Wounding, morality and torture: reflections of the War on Terror in Iron man and Iron man 2 -- Shock and awe: terror, technology, and the sublime nature of Cameron's Avatar -- Conclusion. 650 0 $a Fantasy films $x History and criticism. 650 0 $a September 11 Terrorist Attacks, 2001 $x Influence. 941 $a 2 952 $l OVUX522 $d 20180116130135.0 952 $l USUX851 $d 20160826073204.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=1D9A8356FE5E11E2B6A414D3DAD10320Initiate Another SILO Locator Search