The Locator -- [(subject = "Davey Moyra")]

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Title:
Moyra Davey.
Edition:
First edition.
Publisher:
Steidl,
Copyright Date:
2019
Description:
287 pages : illustrations (chiefly color), facsimiles, portraits ; 25 cm
Subject:
Davey, Moyra--Exhibitions.
Photography, Artistic--Exhibitions.
Photography--Awards--Canada--Exhibitions.
Photobooks.
Photobooks.
Exhibition catalogs.
Other Authors:
Davey, Moyra. Photographs. Selections.
Morel, Gaëlle, organizer. http://id.loc.gov/authorities/names/n2007017905
Ryerson Image Centre (Toronto, Ont.), host institution. http://id.loc.gov/authorities/names/n2012027915
Steidl Verlag, publisher. http://id.loc.gov/authorities/names/nr2003006628
Notes:
"Scotiabank Photography Award: Moyra Davey, exhibition curated by Gaëlle Morel, May 1 to August 4, 2019, Ryerson Image Centre, 33 Gould Street, Toronto, Ontario"--Title page verso. Includes bibliographical references (pages 279-287).
Contents:
Opposite of low-hanging fruit / Moyra Davey. Les Goddesses / Moyra Davey -- Tummy girl / Moyra Davey -- Letters: Moyra Davey and Ben Lerner in conversation -- The made or the making: Moyra Davey and Élisabeth Lebovici in conversation -- Burn the diaries / Moyra Davey -- Objects and circumstances: Davey reading Genet reading Davey / Eric Rosenberg -- Mothers / Moyra Davey -- Walking with Nandita / Moyra Davey -- Opposite of low-hanging fruit / Moyra Davey.
Summary:
From early portraits of her five sisters, to photos taken above bookshelves and under beds, and later series on the New York City subway, Moyra Davey has spent four decades with a practice that comprises photography, film and writing. This book surveys Davey's work, bringing together her photos and film-stills; her writings on photography, memory, art and historical figures; alongside a suite of new essays and interviews. Davey examines the texture of life: defaced currency, empty whiskey bottles, the dust under a record player's needle. She also acknowledges that photos can be mementos, and for some time has printed her images as a kind of correspondence, sending them through the mail; when unfolded, they bear the creases and stamps of transit. Davey's films and essays are characterized by a similar intimacy, evinced by the artist's own peripatetic, literary mind. These are some of the figures that haunt her imagery: Walter Benjamin, Mary Wollstonecraft, Jean Genet and Chantal Ackerman. As with her photographic accumulations of fragments, Davey approaches these touchstones indirectly, drawing from their letters, journals and lesser celebrated works to understand how they committed to living creative lives.
ISBN:
3958295673
9783958295674
OCLC:
(OCoLC)1101435327
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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