The Locator -- [(subject = "Criticism interpretation etc")]

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03813aam a22005418i 4500
001 9B9FCABEFC8011EE9ABF7B513DECA4DB
003 SILO
005 20240417010124
008 230926s2024    iau      b    001 0 eng  
010    $a 2023026383
020    $a 1609389395
020    $a 9781609389390
035    $a (OCoLC)1407032858
040    $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d OCLCO $d YDX $d BDX $d NUI $d SILO
042    $a pcc
043    $a n-us---
050 00 $a PS379 $b .B6746 2024
082 00 $a 813/.5409 $2 23/eng/20231031
100 1  $a Brier, Evan, $e author.
245 10 $a Novel competition : $b American fiction and the cultural economy, 1965-1999 / $c Evan Brier.
264  1 $a Iowa City : $b University of Iowa Press, $c 2024.
300    $a 242 pages ; $c 23 cm
490 1  $a The new American canon
520    $a "Novel Competition describes the literary and institutional effort to make the American novel matter after 1965. During this era, Hollywood movies, popular music, and other forms of mass-produced culture vied with novels for a specific kind of prestige - often figured as "importance" or "relevance" - that had mostly been attached to novels in previous decades. This trans-media competition, Brier argues, is a crucial but largely unacknowledged event in the literary and economic history of the American novel. In the face of it, the novel lost some of the symbolic specialness it formerly held. That loss, in turn, generated not just a much-discussed rhetoric of crisis but also a host of unexamined, intertwined effects on both literary form and the business of novel production. Drawing on a range of novels and on the archives of publishers, editors, agents, and authors, Novel Competition shows how fiction's declining position in a transformed "popular-prestige" economy reshaped the post-1965 American novel as art form, cultural institution, and commodity"-- $c Provided by publisher.
504    $a Includes bibliographical references and index.
505 0  $a Introduction: Devaluing the novel -- Capote's place: New York, Kansas, and the novel -- Unliterary history and literary disbelief: "real Black publishing" at Random House -- The mattering crisis: literary responses to total entertainment -- Bigness and the novel: from the Middle East to the American West -- Full disclosure: novels, conglomerates, and the editor as hero -- Epilogue: Memoirs, television, and how art matters.
648  7 $a 1900-1999 $2 fast
650  0 $a American fiction $y 20th century $x History and criticism.
650  0 $a Fiction $x History $z United States $x History $y 20th century.
650  0 $a American literature $x History $x History $y 20th century.
650  0 $a Literature and society $z United States $x History $y 20th century.
650  0 $a Mass media and literature $z United States $x History $y 20th century.
650  7 $a American fiction $2 fast $0 (OCoLC)fst00807048
650  7 $a American literature $x Publishing $2 fast $0 (OCoLC)fst00807230
650  7 $a Fiction $x Publishing $2 fast $0 (OCoLC)fst00923744
650  7 $a Literature and society $2 fast $0 (OCoLC)fst01000096
650  7 $a Mass media and literature $2 fast $0 (OCoLC)fst01011353
651  7 $a United States $2 fast $0 (OCoLC)fst01204155
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
655  7 $a History $2 fast $0 (OCoLC)fst01411628
655  7 $a Literary criticism $2 fast $0 (OCoLC)fst01986215
655  7 $a Literary criticism. $2 lcgft
655  7 $a Critiques littéraires. $2 rvmgf $0 (CaQQLa)RVMGF-000001939
776 08 $i Online version: $a Brier, Evan. $t Novel competition $d Iowa City : University of Iowa Press, 2024 $z 9781609389406 $w (DLC)  2023026384
830  0 $a New American canon
941    $a 1
952    $l OVUX522 $d 20240417024137.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=9B9FCABEFC8011EE9ABF7B513DECA4DB

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