Introduction : Spotting the non-space -- Into spatial vagueness : Jorge Luis Borges's and Miguel Picazo's Hombre de la esquina Rosada -- The power of staging : spaces of emulation in Jorge Luis Borges's Tema del traidor y del heroe and Bernardo Bertolucci's Strategia del ragno -- Screening the void: Julio Cortazar's cartas de mama and Manuel Antin's and Miguel Picazo's filmic translations -- Echoes in the dark : Pedro Paramo on the page and on the screen -- Toward amor vacui: Gabriel Garcia Marquez's and Ruy Guerra's erendiras -- Epilogue : The non-space revisited.
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