Between nationalism and the avant-garde: defining British modernism -- Post-war motifs -- Manchester avant-garde: Goehr, Davies, and Birtwistle to 1960 -- A Manchester generation in Paris, London, and Rome: Musgrave, Maw, Crosse, and Bennett -- Group portrait in the Sixties: Davies, Birtwistle, and Goehr to 1967 -- Instrumental drama: Musgrave and Birtwistle in the late Sixties -- Vernaculars: Bedford and Souster as pop musicians.
Summary:
This book explores the works of eleven key composers to reveal the rapid shifts of expression and technique that transformed British art music in the post-war period. Responding to radical avant-garde developments in post-war Europe, the Manchester Group composers - Alexander Goehr, Peter Maxwell Davies, and Harrison Birtwistle - and their contemporaries assimilated the serial-structuralist preoccupations of mid-century internationalism to an art grounded in resurgent local traditions. In close readings of some thirty-five scores, Philip Rupprecht traces a modernism suffused with the formal elegance of the 1950s, the exuberant theatricality of the 1960s, and - in the works of David Bedford and Tim Souster - the pop, minimalist, and live-electronic directions of the early 1970s. Setting music-analytic insights against a broader social-historical backdrop, Rupprecht traces a British musical modernism that was at once a collective artistic endeavor, and a sounding myth of national identity.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.