The Locator -- [(subject = "Superheroes Black")]

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Author:
Bukatman, Scott, 1957- author.
Title:
Black Panther / Scott Bukatman.
Edition:
First edition.
Publisher:
University of Texas Press,
Copyright Date:
2022
Description:
222 pages : illustrations ; 18 cm
Subject:
Black Panther--(Fictitious character)--In motion pictures.
Coogler, Ryan,--1986---Criticism and interpretation.
Black Panther--(Fictitious character)
Black Panther (Motion picture : 2018)
Black Panther (Motion picture : 2018)--Political aspects.
Black Panther (Motion picture : 2018)--Social aspects.
Black Panther (Motion picture : 2018)--Influence.
Wakanda (Africa : Imaginary place)
Superheroes, Black.
African diaspora in art.
Afrofuturism.
Women, Black, in motion pictures.
Fantasy films--Political aspects--United States.
African diaspora in art.
Afrofuturism.
Influence (Literary, artistic, etc.)
Motion pictures.
Social aspects.
Superheroes, Black.
Wakanda (Africa : Imaginary place)
Women, Black, in motion pictures.
United States.
Criticism, interpretation, etc.
Notes:
Includes bibliographical references and index.
Contents:
Introduction: Tell me a story -- The road to Wakanda -- Black Panther's black body -- The Wakandan dream -- The Killmonger problem -- Conclusion: Why do we hide?
Summary:
"Black Panther was the first Black superhero in mainstream American comics, and his titular film was the first in the Marvel Cinematic Universe (MCU) with a predominantly Black cast. The film broke box-office records and was nominated for numerous awards while also confirming director Ryan Coogler as a rising auteur. Scott Bukatman, a senior scholar in film and comics, examines the character, the film, and the director to understand why this is an essential film. While briefly tracing the history of Black superheroes and the overall history of the MCU to provide context, Bukatman delves into Afrofuturism with the film's (and comic's) depiction of the high-tech African country of Wakanda, the philosophical debate of isolationism that is at the heart of the film, and the larger issues of the African diaspora, showing how the film does not present a consistent ideology but instead raises real-world political questions with a character originally created by two white men in the 1960s. He also examines the role of women in the film and the importance of the characters Shuri, Okoye, Nakia, and Ramonda. Further, he addresses the cultural impact of the film and the mixed reception it received among some critics, while discussing its role as a fantasy of social liberation and social justice. He also takes time to discuss the late star, Chadwick Boseman, and his career as a whole within the context of this film"-- Provided by publisher.
Series:
21st century film essentials
ISBN:
1477325352
9781477325353
1477325840
9781477325841
OCLC:
(OCoLC)1275427165
LCCN:
2021047901
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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