Part I. Historical overview. Introduction / Chris Berry and Lisa Rofel ; Rethinking China's new documentary movement : engagement with the social / Lu Xinyu, translated by Tan Jia and Lisa Rofel, edited by Lisa Rofel and Chris Berry ; DV : individual filmmaking / Wu Wenguang, translated by Cathryn Clayton -- Part II. Documenting marginalization, or identities new and old. West of the tracks : history and class-consciousness / Lu Xinyu, translated by J.X. Zhang ; Coming out of The box, marching as dykes / Chao Shi-Yan -- Part III. Publics, counter-publics, and alternative publics. Blowup Beijing : the city as a twilight zone / Paola Voci ; Watching documentary : critical public discourses and contemporary urban Chinese film clubs / Seio Nakajima ; Alternative archive : China's independent documentary culture / Chris Berry and Lisa Rofel -- Part IV. Between filmmaker and subject : re-creating realism. Translating the unspeakable : on-screen and off-screen voices in Wu Wenguang's documentary work / Bérénice Reynaud ; From "public" to "private" : Chinese documentary and the logic of xianchang / Luke Robinson ; Excuse me, your camera is in my face : auteurial intervention in PRC new documentary / Yomi Braester ; "I am one of them" and "they are my actors" : performing, witnessing, and DV image-making in plebian China / Yiman Wang.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.