Includes bibliographical references (p. 213-246) and index.
Contents:
Introduction: Mechanical Recording and the Modern Arts -- The Logocinema of the Little Magazines -- Camera Work: The Hieroglyphics of the New Photography -- Transition: The Movies, the Readies, and the Revolution of the Word -- Close Up: International Modernism's Struggle with Sound -- Spectatorship, Media Relations, and Modern American Fiction -- F. Scott Fitzgerald's Spectroscopic Fiction -- An Eyeminded People: Spectatorship in Dos Passos' U.S.A. -- Du Bois, Johnson, and the Recordings of Race -- Ernest Hemingway's Media Relations.
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