Includes bibliographical references (p. [347]-356) and indexes.
Contents:
I: New thoughts, new directions -- Sociocultural context -- Ideology -- Musical appropriation -- The transformation to bebop -- II: Bebop: Articulating language and identity -- Playing bebop -- General musical characteristics of bebop -- Bebop scales -- The musical language of Dizzy Gillespie -- The musical language of Charlie Parker -- The musical language of Thelonious Monk -- III: Articulating language and identity -- Cool jazz -- The musical language of Miles Davis -- The musical language of Stan Getz -- The musical language of Lennie Tristano.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.