Instruments used include: three atabaque drums, the agogo bell, and the chocalho maracas. Compact disc. Accompanying booklet (59 pages) in French and English written by Luigi Elongui describes how the African "call and response" pattern and polyrhythmia shaped the musical expression of cults in Brazil. Also included in booklet is a practical guide by Claire Leibovitz.
Contents:
Solo de atabaque (2:15) -- Chamada de Ogun (3:55) -- Ogum oia (4:54) -- Popologumdé (3:37) -- Ogum vai no lo (4:10) -- Saudação a falange de oxossi (3:27) -- Caboclo guiné (3:51) -- O gauinza (3:47) -- Oxossi da folha branca (3:48) -- Caboclo ubirajara (4:13) -- Boiadeiro (3:04) -- Caboclo cacador das matas (3:32) -- Pédra Lirio de xango (3:20) -- Résureição (2:55) -- Festa do caboclo "folha verde" (2:37) -- Louvação aos exus (2:48) -- Exu marabô (2:14) -- Chamada de pomba gira (1:40) -- Louvação a pomba gira (1:15) -- Pomba gira molambo (2:31) -- Ponto de subida géral (2:44) -- Atabaque solo (2:16).
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.