The Locator -- [(subject = "Shakespeare William--1564-1616--Themes motives")]

16 records matched your query       


Record 7 | Previous Record | MARC Display | Next Record | Search Results
Author:
Wilson, Richard, 1950- author. http://id.loc.gov/authorities/names/n91056771
Title:
Worldly Shakespeare : the theatre of our good will / Richard Wilson.
Publisher:
Edinburgh University Press,
Copyright Date:
2016
Description:
303 pages ; 24 cm
Subject:
Shakespeare, William,--1564-1616--Criticism and interpretation.
Shakespeare, William,--1564-1616--Influence.
Shakespeare, William,--1564-1616--Themes, motives.
Shakespeare, William,--1564-1616--Political and social views.
Shakespeare, William,--1564-1616.
Worldliness.
Theater and globalization.
Shakespeare, William,--1564-1616.
Influence (Literary, artistic, etc.)
Political and social views.
Theater and globalization.
Themes, motives.
Worldliness.
Criticism, interpretation, etc.
Notes:
Includes bibliographical references and index.
Contents:
Introduction : no offence in the world -- A globe of sinful continents : Shakespeare thinks the world -- Too long for a play : Shakespeare and the wars of religion -- Shakespeare in hate : performing the Virgin Queen -- No enemy but winter : Shakespeare's rogue state -- Fools of time : Shakespeare and the martyrs -- Veiling an Indian beauty : Shakespeare and the hijab -- When golden time convents : Shakespeare and the Shah -- Like an Olympic wrestling : Shakespeare's Olympic Game -- As mice by lions : political theology and Measure for measure -- Incensing relics : All's well that ends well in Shakespeare's Spain -- Epilogue : flower power in Bohemia.
Summary:
"In Worldly Shakespeare Richard Wilson proposes that the universalism proclaimed in the name of Shakespeare's playhouse was tempered by his own worldliness, the performative idea that runs through his plays, that if 'All the world's a stage', then 'all the men and women in it' are 'merely players'. Situating this playacting in the context of current concerns about the difference between globalization and mondialisation, the book considers how this drama offers itself as a model for a planet governed not according to universal toleration, but the right to offend: 'But with good will'. For when he asks us to think we 'have but slumbered' throughout his offensive plays, Wilson suggests, Shakespeare is presenting a drama without catharsis, which anticipates post-structuralist thinkers like Jacques Rancière and Slavoj Žižek, who insist the essence of democracy is dissent, and 'the presence of two worlds in one'. Living out his scenario of the guest who destroys the host, by welcoming the religious terrorist, paranoid queen, veiled woman, papist diehard, or puritan fundamentalist into his play-world, Worldly Shakespeare concludes, the dramatist instead provides a pretext for our globalized communities in a time of Facebook and fatwa, as we also come to depend on the right to offend 'with our good will'."-- Provided by publisher.
ISBN:
1474411347
9781474411349
1474411320
9781474411325
OCLC:
(OCoLC)941734723
LCCN:
2016417228
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

Initiate Another SILO Locator Search

This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.