Introduction: Intersections of race, class, gender, and nation in Fin-de-siècle Spain / Jennifer Smith and Lisa Nalbone -- Challenging pasts, exploring futures: "race," gender, and class in the fin-de-siècle essays of Rosario de Acuña, Concepción Gimeno de Flaquer, and Belén Sárraga / Christine Arkinstall -- Domesticating Cuba: romantic liaisons and imperial power in Spanish zarzuela / Mar Soria -- Racism in Yankilandia: Pardo Barzán and the global color line / Christy Presson Shaughnessy -- Racial identity, social critique, and class dynamics in Pardo Bazán's Una Cristiana-La Prueba and El becerro de metal / Maryellen Bieder -- Good and bad fusion in Emilia Pardo Bazán's El becerro de metal (1906) / Margot Versteeg -- "Playing Japanese" in fin-de-siècle zarzuela / David R. George, Jr. -- The unbearable lightness of being a nation: the Peninsular War in Galdós's historical fiction / Toni Dorca -- Realism, fantasy, and the gendered trope of colonial relations in Galdós's fiction / Mary L. Coffey -- Rewriting Carmen in Pardo Bazán's Insolación: subversions of "race," gender, and class / Carmen Pereira-Muro, translation by Holly Villines.
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