Includes bibliographical references (pages 195-207) and indexes.
Contents:
Part I. Rednecks and country music. Anything but country -- Sounding the working-class subject -- Part II. Rednecks, country music, and the queer. Gender deviance and class rebellion in "Redneck woman" -- "Fuck Aneta Briant" and the queer politics of being political.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.