This study examines how Shakespeare's plays have been transformed for the stage by the demands of theatrical spaces and staging conventions. Includes bibliographical references (p. 225-230) and index.
Contents:
Actions that a man might play : an introduction -- There lies the scene : actors and theaters in late Elizabethan England -- A local habitation and a name : stage business in the comedies -- Thus play I in one person many people : performing the histories -- Like a strutting player : staging moral ambiguity in Measure for measure and Troilus and Cressida -- The motive and the cue for passion : Romeo and Juliet, Hamlet, and Othello in performance -- A poor player that struts and frets his hour upon the stage : role-playing in King Lear, Macbeth, and Antony and Cleopatra -- Insubstantial pageant : Shakespeare's farewell to the stage -- This falls out better than I could devise : an afterword.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.