The Locator -- [(subject = "Sexism in motion pictures")]

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Author:
Handzo, Stephen, 1944- author. http://id.loc.gov/vocabulary/relators/aut http://id.loc.gov/authorities/names/n2019064081
Title:
Hollywood and the female body : a history of idolization and objectification / Stephen Handzo.
Publisher:
McFarland & CompanyInc., Publishers,
Copyright Date:
2019
Description:
v, 226 pages : illustrations ; 26 cm
Subject:
Women in motion pictures.
Nudity in motion pictures.
Sexism in motion pictures.
Feminism and motion pictures.
Motion pictures--United States--History.
Motion picture industry--Los Angeles--Los Angeles--History.
Women in the motion picture industry--United States--History.
Feminism and motion pictures.
Motion picture industry.
Motion pictures.
Nudity in motion pictures.
Sexism in motion pictures.
Women in motion pictures.
Women in the motion picture industry.
California--Los Angeles.
United States.
History.
Notes:
Includes bibliographical references and index.
Contents:
Introduction -- Prologue -- Not So Innocent: Controversy and Censorship in the Silent Era -- Why Be Good? Flappers, Flaming Youth and an "It" Girl -- Pre-Code, Post-Code and Non-Code: Before and After the Moral Crackdown of the 1930s -- Something for the Boys: Pin-Ups and Love Goddesses of the -- World War II Era -- "She came at me in sections": Women in Postwar Genre Movies -- "Looking for trouble": Howard Hughes vs. the Production Code -- (Again) -- Hollywood Or Bust: Fifties Blondes and "Mammary Madness" -- "Banned by Cardinal Spellman": Baby Doll and Southern -- Decadence -- Bikini Beach: From the Fifties to the Sixties -- The Nude Scene: Children Under 17 Not Admitted -- Blue Movie: Coming to a Theater Near You-Pornography -- Girls Trip: The End of the Double Standard? -- Epilogue. The Reckoning: Weinstein and the #MeToo Movement.
Summary:
""From the first, brief moving images of female nudes in the 1880s to the present, the motion picture camera made the female body a battleground in what we now call the culture wars. Churchmen feared the excitation of male lust; feminists decried the idealization of a body type that devalued the majority of women. This history of Hollywood's treatment of women's bodies traces the full span of the motion picture era. Primitive peepshow images of burlesque dancers gave way to the "artistic" nudity of the 1910s when model Audrey Munson and swimmer Annette Kellerman contended for the title of American Venus. Clara Bow personified the qualified sexual freedom of the 1920s flapper. Jean Harlow, Mae West and the scantily clad chorus girls of the early 1930s provoked the Legion of Decency to demand the creation of a Production Code Administration that turned saucy Betty Boop into a housewife. Things loosened up during World War II when Betty Grable and Rita Hayworth ruled the screen. The postwar years saw the blonde bombshells and "mammary madness" of the 1950s while the 1960's brought bikini-clad sex kittens. With the replacement of the Production Code by a ratings system in 1968, nudity and sex scenes proliferated in the R-rated movies of the 1970s and 1980s. Recent movies, often directed by women, have pointed the way toward a more egalitarian future. Finally, the #MeToo movement and the fall of Harvey Weinstein have forced the industry to confront its own sexism. Each chapter of this book situates movies, famous and obscure, into the context of changes in the movie industry and the larger society."-Provided by publisher"-- Provided by publisher.
ISBN:
1476679134
9781476679136
OCLC:
(OCoLC)1126347556
LCCN:
2019049185
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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