Includes bibliographical references (p. 269-308) and index.
Contents:
We're dancing : indigenous stage dance in the twenty-first century. Theatricalizing dancing and policing authenticity -- Antidance rhetoric and American Indian arts in the 1920s -- Authentic themes : modern dancers and American Indians in the 1920s and 1930s -- Her point of view : Martha Graham and absent Indians -- Held in reserve : José Limón, Tom Two Arrows, and American Indian dance in the 1950s -- The emergence of a visible Native American stage dance -- Aboriginal land claims and aboriginal dance at the end of the twentieth century -- We're dancing : indigenous stage dance in the twenty-first century.
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