First published as: New American people by Hastings-on-Hudson : Morgan & Morgan,1972.
Summary:
This is an extraordinary body of photographic work that was originally published in 1972 under the title New American People. As the fall of Detroit began, as her middle class American Dreamers began moving to greener pastures, and while the Motor City's status as one of the shining stars of the industrial revolution began to fade, Detroit became a locus for the racial conflict and political upheaval that swept the country during the late 1960s. Throughout this pivotal moment, Enrico Natali was present, empathically documenting Detroit, her people and their environments, and their lives and conditions in his compelling photographs. 41 later, Natali's photographs of Detroit still resonate with hope and emotion, and indeed, have taken on an added pathos. These pictures capture the relative calm before the storm: people attending art exhibitions, sporting events, a high school prom; families posing together for portraits; secretaries smoking their afternoon cigarettes; children, parents and grandparents, workers of every stripe, machinists, waitresses, beauticians, plying their trades with what might be described in retrospect as innocence. The spirits of these nameless faces, young and old, are the ghosts that haunt what is now this bankrupt metropolis.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.