Introduction / Eduardo Navas, Owen Gallagher, xtine burrough -- Appropriation / authored in collaboration with contributors -- Archive / Richard Rinehart -- Authorship / John Vallier -- Bricolage / Annette N. Markham / Collaborative / Aram Sinnreich -- Consumerism / Pau Figueres -- Copyright/fair use / Patricia Aufderheide -- Cut-up / Janneke Adema -- Creativity / xtine burrough and Frank Dufour -- Deconstruction / David J. Gunkel -- DIY culture / Akane Kanai -- Fan culture / Joshua Wille -- Feminism / Karen Keifer-Boyd and Christine Liao -- Intellectual property / Nate Harrison -- Jazz / T Storm Heter -- Location / Dahlia Borsche, translated by Jill Denton -- Mashup / Nate Harrison and Eduardo Navas -- Memes / authored in collaboration with contributors -- Parody / Mark Nunes -- Participatory politics / Henry Jenkins and Thomas J Billard, with Samantha Close, Yomna Elsayed, Michelle C. Forelle, Rogelio Lopez, and Emilia Yang -- Remix / Eduardo Navas -- Sampling / Owen Gallagher -- Transformative / Francesca Coppa and Rebecca Tushnet -- Versioning / Paul D. Miller aka DJ Spooky.
Summary:
"The essays reflect on the critical, historical and theoretical lineage of remix to the technological production that makes contemporary forms of communication and creativity possible. Remix enjoys international attention as it continues to become a paradigm of reference across many disciplines, due in part to its interdisciplinary nature as an unexpectedly fragmented approach and method useful in various fields to expand specific research interests. The focus on a specific keyword for each essay enables contributors to expose culture and society's inconclusive relation with the creative process, and questions assumptions about authorship, plagiarism and originality." Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.