part 1. Reframing identity/identities. 'Superman/sidekick' : white storytellers and black lives in The fortress of solitude (2014) / Donatella Galella ; Seeing as a Filipino : Here lies love (2014) at the National Theatre / Broderick D. V. Chow ; Disney's The lion king on Broadway (1997) as a vital sign for understanding civic and radicalized presence in the early twenty-first century / Brian Granger -- part 2. Challenging historiographies. Beyond the Rue Pigalle : recovering Ada 'Bricktop' Smith as 'muse', mentor and maker of transatlantic musical theatre / Maya Cantu ; Identity and representation in a theatrical dynasty : examining Oscar Hammerstein II's legacy in Britain / Arianne Johnson Quinn ; Black conductors make history on the great 'white' way : the lost labours of the music director in musical theatre / Sean Mayes ; The evolution of musical theatre in Spain throughout the twentieth and twenty-first centuries / Alejandro Postigo ; Reparation and reanimation in musical theatre : Savion Glover's choreography of Shuffle along : or the making of the musical sensation of 1921 and all that followed / Phoebe Rumsey -- part 3. Musical structures : identity and social change. Musematic relationships in Jeanine Tesori's score for Fun home / Rebecca Applin Warner ; 'Dedicated to the proposition...' : raising cultural consciousness in the musical Hair (1967) / Sarah Browne ; 'What about love?' : claiming and reclaiming LGBTQ+ spaces in twenty-first century musical theatre / James Lovelock ; 'Bonding over phobia' : restaging a revolution at the expense of black revolt / Wind Dell Woods.
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