Includes bibliographical references (pages 217-233) and index.
Contents:
Introduction: Thinking site in sound -- Sounding place over time: on the sonic transits of "El condor pasa" -- Putumayo and its discontents: the Andean music industry as a world music geography -- (Inter)national stages, mujeres bravas, and the spatial politics of diaspora -- "You can't have a revolution without songs": neighborhood soundscapes and multiscalar activism in La Mision -- Epilogue: Musical pirates, sonic debts, and future geographies of transit.
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