Interview with Franco Vaccari / Giuliana Minghelli. Part one: Essays: Photography and the ready-made and Apollo and Daphne: a myth for photography / Photography and the construction of Italian national identity / Roberta Valtorta, with Sarah Patricia Hill and Giuliana Minghelli -- Local colour and the grey aura of modernity: photography, literature, and the social sciences in Fin-de-Siècle Italy / Maria Grazia Lolla -- Eternal speed/omnipresent immobility: futurism and photography / Guiliana Minghelli -- Part two: Modern memory objects: social histories of the photograph -- The peripatetic portrait: exchange and performance in migration photographs at the turn of the nineteenth century / Giorgia Alù -- Presente! The latent memory of Italy's great war in its photographic portraits / Luca Cottini -- Part three: Photography and the acceleration of modernity: reality-commodity-violence -- Italian neo-realism between cinema and photography / Barbara Grespi -- Photographic excess: "scandelous" photography in film and literature after the boom / Sarah Patricia Hill -- Images of violence, violence of images: the "years of lead" and the practice of armed struggle between photography and video / Christian Uva -- Part four: Critiques of modernity: stillness, motion, and the ethics of seeing -- The body in and of the image in the films of Yervant Gianikian and Angela Ricci Lucchi / Robert Lumley -- Intersections of photography, writing, and landscape: the Italian landscape photobook from Ghirri to Fossati and Messori / Marina Spunta -- Part five: Documents and experiences -- A photograph / Umberto Eco -- Essays: Photography and the ready-made and Apollo and Daphne: a myth for photography / Franco Vaccari -- Interview with Franco Vaccari / Giuliana Minghelli.
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