Occupying center stage : impersonation and the classicization of Kuchipudi -- "I am Satyabhama" : constructing hegemonic brahmin masculinity in the Kuchipudi village -- Constructing artifice, interrogating impersonation : Madhavi as vidūṣaka in village Bhamakalapam performance -- Bhamakalapam beyond the village : transgressing norms of gender and sexuality in urban and transnational Kuchipudi dance -- Longing to dance : stories of Kuchipudi brahmin women.
Summary:
"Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman's guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic brahmin masculinity in everyday village life. However, the power of the brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries--village to urban, brahmin to non-brahmin, hegemonic to non-normative--to explore the artifice of brahmin masculinity in contemporary South Indian dance"--Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.