The enemy must be converted through his eyes: suffragist parades as transformational theater -- Mary Shaw's Gamut club: an experiment in American women's activism -- The Provincetown playhouse: home for wayward radical women -- The neighborhood playhouse: collectivity as a feminist tactic -- The professional as the political: women directors in commercial theater.
Summary:
"This book examines the radical change women underwent - and facilitated - from 1880 to 1927, by looking at five case studies of feminist performance: suffragist parades; feminist drama groups; the Gamut Club; the Provincetown Players; the Neighborhood Playhouse; and four successful female Broadway directors - Lillian Trimble Bradley, Rachel Crothers, Edith Ellis, and Minne Maddem Fikse. Viewed collectively, the chapters create an overarching argument as to the nature of firstwave feminist performance."--BOOK JACKET.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.