"Simpson, imprint in humanities." Includes bibliographical references and index.
Contents:
Introduction. Case study: Photography into sculpture -- Conversation with the curator, Peter Bunnell / Mary Statzer -- Peter Bunnell's Photography as printmaking and Photography into sculpture: photography and medium specificity at MOMA circa 1970 / Mary Statzer -- A "new prominence": photography at MOMA in the 1960s and 1970s / Eva Respini and Drew Sawyer -- Expanding photography circa 1970: photographic objects and conceptual art / Lucy Soutter -- Panel discussion with Ellen Brooks, Darryl Curran, and Leland Rice / Britt Salvesen, moderator -- Delightful anxiety: photography in California circa 1970 / Erin O'Toole -- The evolving photographic object / Rebecca Morse -- Interviews with the artists: Ellen Brooks. Robert E. Brown. Carl Cheng. Darryl Curran. Michael de Courcy. Andre Haluska. Richard Jackson. Jerry McMillan. Bea Nettles. James Pennuto. Giuseppe Pirone. Douglas Prince. Dale Quarterman. Charles Roitz. Michael Stone. Ted Victoria. Lynton Wells.
Summary:
"In 1970, photography curator Peter C. Bunnell organized the exhibition Photography into Sculpture for the Museum of Modern Art in New York, bringing together twenty-three photographers and artists from across the United States as well as Vancouver, British Columbia, whose work challenged accepted practices and categories. The Photographic Object 1970 serves as an exhibition catalogue after the fact, an oral history, and critical reading of exhibitions and experimental photography during the 1960s and 70s. It proposes precedents for contemporary artists who continue to blur the boundaries between photography and other art mediums."--Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.