Includes bibliographical references (p. [257]-270) and index.
Contents:
Authors as engineers : the documentary moment -- Operative mode : Sergei Tretiakov's art of fact -- Technological mode : Dziga Vertov and kino-communication -- Realist mode : Maksim Gorky, the truth, and the collective -- Ironic mode : Mikhail Zoshchenko's reconstruction of the reader -- A new documentary moment?
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