Max Bill / Manuel Fontán del Junco, María Toledo, eds. ; texts by Max Bill, Jakob Bill, Karin Gimmi, Manuel Fontán del Junco, Neus Moyano, Gillermo Zuaznabar, Fernando Marzá and María Amalia García.
Catalog of an exhibition held at the Fundación Juan March, Madrid, Spain, October 16, 2015-January 17, 2016. Includes bibliographical references (pages 302-317).
Summary:
"A true Renaissance man with a clear, unified aesthetic vision, the Swiss artist, designer, architect and writer Max Bill combined the virtues of homo faber and homo ludens throughout his intensely productive career, launching the Concrete art movement and establishing himself as the single most decisive influence on postwar Swiss graphic design. This gorgeously designed, hefty volume--the most thorough Bill overview ever published in English, and the only monograph in print--presents Bill's oeuvre both chronologically and thematically, across every facet of his multifaceted oeuvre: painting, graphic art, sculpture, architecture, book and magazine design, industrial and furniture design, graphic design and advertising typography--from large-format posters to small inserts in periodicals--as well as his designs for exhibition spaces. Bill stands out for his enormous influence on Latin American geometric art (through his 1951 retrospective at the São Paulo Museum of Modern Art), as well as for his essays, his work as an educator and his political and social concerns. All these aspects of his life and work are covered in this profusely illustrated catalogue, along with essays by scholars and a selection of previously unpublished essays by Bill himself."-- Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.